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master

MASTER               THALAPATHY 64  is titled as MASTER.It will be an gangster film.Vijay was acting as an college student and he will be a alcholohic and drug addict.The movie is going to be released on summer april 2020.VIJAY SETHUPATHI is playing an villain role.This film is going to be an master piece for THALAPATHY VIJAY and VIJAY SETHUPATHI. CAST AND CREW: HERO:THALAPATHY VIJAY VILLAIN:VIJAY SETHUPATHI HEROINE:MALAVIKA MOHAN DIRECTOR:LOKESH KANAGARAJ PRODUCER:XB FILM CREATORS
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Darbar

An engaging cop film Darbar Story: A top cop is tasked with ending the drug menace in Mumbai, and to do this, he has to take on a most feared and ruthless mafia lord. Darbar Review: In the films of AR Murugadoss, justice isn’t always delivered by upholding the law of the land. Be it in Ramana or Thuppakki or Kaththi, his protagonists have to break law to ensure justice is served. And that is what happens in Darbar, where an angry cop goes on a murderous rampage to take down a most-wanted criminal. Right in the opening scenes, the director establishes that his protagonist Aaditya Arunasalam (Rajinikanth), a top cop who has been deputed to Mumbai to tackle the drug menace in the city, isn’t someone who goes by the rule book. In fact, we see him threatening and roughing up the members of the Human Rights Commission who question him about his rule-breaking (The film tries to project Arunasalam as a mentally disturbed person to justify his extrajudicial killings)...
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pattas

Pattas Story: A petty thief comes to know of his illustrious father and takes on the man who murdered him to bring to limelight the ancient martial art form that his father practised. Pattas Review: Every once in a while, our Tamil filmmakers stumble upon a forgotten or dying ancient art form and come up with a film glorifying it and bringing it to public consciousness – even if for a brief while. With Pattas, Durai Senthilkumar wants to do for Adimurai, a less heard of traditional martial art form from Tamil Nadu, what Indian did for Varmakalai and 7aum Arivu did for Bodhi Dharman. But the problem is he seems to have been carried away by the novelty of Adimurai, and gives us a formulaic action drama that is predictable from start to finish. Forget plot structure and scenes, even the lines here hold no surprise. The film begins in 2001 with a woman, Kanyakumari (Sneha, solid), being sent to prison for murder. The action then cuts to the present where Shakthi alias Pattas (Dhanus...
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